Blumhouse Productions' long-awaited "Five Nights at Freddy's" film from director Emma Tammi brings the haunted pizzeria and its animatronic inhabitants to life.
The strong lead cast helps make "Killers of the Flower Moon" one of Martin Scorsese's best films, though it could benefit from featuring Lily Gladstone more.
Mike Flanagan's final Netflix series, a star-studded adaptation of Edgar Allan Poe's "The Fall of the House of Usher," is a must-watch this Halloween season.
A24's first musical, "Dicks: The Musical," is every bit as queer, raunchy, and unforgettable as the title implies, though the ending will prove divisive.
Craig Gillespie dramatizes the GameStop short squeeze with his stock market dramedy "Dumb Money," starring Paul Dano as the Redditor behind the curtain.
Gareth Edwards' sci-fi epic "The Creator" boasts some of the most spectacular shots and visual effects in ages, but the story leaves a lot to be desired.
The oldest-looking high schoolers on television return with Season 4 of Netflix's "Sex Education," and its cast of sexually liberated teens finally graduate.
Peacock's "The Continental: From the World of John Wick" might be a prequel to the "John Wick" franchise, but the series is unfortunately light on action.
Anna Kendrick astounds with her directorial debut, "Woman of the Hour," a Netflix release about a serial killer who appeared on "The Dating Game" in the 1970s.
"Hit Man" is a well-rounded film that succeeds on multiple levels, and is easily one of the highlights of the 2023 Toronto International Film Festival.
Kenneth Branagh's adaptation of the Poirot mystery "A Haunting in Venice" is much less zany than its predecessor, but that's not necessarily a good thing.
"The Morning Show" returns to Apple TV+ for Season 3, with Jennifer Aniston and Reese Witherspoon's characters joined by Jon Hamm's enigmatic billionaire.
The international animated coproduction "The Inventor" was clearly a labor of love for its creators, but the stop-motion da Vinci movie falls short of flying.